Jorge García Pérez was born in Zaragoza, Spain. He began his professional dance career in Sybaa Ballet, and the year after he moved into Malandain Ballet Biartitz II. In 2005 Heinz Spoerli offered him a contract for the Junior Ballet at the Opera House in Zürich after winning the Gold Medal at Premio Roma International Dance Competition. One year later he was be promoted to Demi-soloist becoming Soloist the season after at the Zürcher Ballett. He moved on in 2008 to work for the Ballett Theater Basel as a Soloist Dancer under the direction of Richard Wherlock and where he danced many of the company’s principal roles for fourteen seasons. In 2023 he moved back to the Ballett Zürich as a Soloist dancer under the direction of Cathy Marston. Since 2016, he has been the Artistic Director at Carta Blanca Dance, a dance company which he has founded together with Permi Jhooti in Basel, Switzerland. Jorge has also been building his own repertory winning several international prizes as a young choreographer in numerous international competitions, as well as for many companies. Throughout the years, Jorge has also assisted many renowned choreographers in re-staging and creating work.

Jorge joined PITT in 2023, for the re-staging and touring of “Trilogy”.

Ariadna Llussà trained at the Maria de Ávila Studio in Zaragoza and earned a BA (HONS) in Professional Dance and Performance from the Central School of Ballet, London. She danced with Ballet Central, Ballet Junior de Genève, performing works by Wayne McGregor, Alexander Ekman, and others. Her career includes performances in Sounds of Music (dir. Olivier Dubois), Compañía Plan B danza Sagardoy-Bravo, Cienfuegosdanza, and the Somniu project. Ariadna has participated in the Metamorphosis International Dance Residency in San Sebastián, Shanghai, and Lisbon. She recently performed in La Sonámbula at Teatro Real, Madrid, appeared in the film Polvo Serán by La Veronal, and choreographed for the LaYouth project Hopefully We’ll Meet Again. Ariadna was part of PITT’s research project “Greta Oto” and the duet “Never in a Million Years” in 2024.

Dario Rigaglia (b. 1995, Catania, Italy) is a dancer, choreographer, and workshop facilitator. He trained at DAF – Dance Arts Faculty (Rome), Agora Coaching Project, and through international programmes including Vertigo Dance Company, Gaga Summer Intensive, Eastman Summer Intensive, and OBOC Countertechnique.

He began his international career with Les Ballets C de la B and Alain Platel, and in 2017 received the Danza&Danza Award for Best Italian Dancer Abroad. Since then, he has collaborated with companies and institutions including Opernhaus Zürich, Bühnen Bern, Semperoper Dresden, Joshua Monten Company, Emanuele Soavi INcompany, Baryshnikov Arts Center (New York), Theater Hagen, Compagnia Zappalà, and Tanzhaus Basel’s 7×7 Project, performing throughout Europe, the United States, Russia, and Réunion.

Alongside his performance career, Dario teaches internationally and develops his own choreographic practice. His works include A strati, co-created with Beatrice Panero and awarded Best Duo at Barnes Crossing (Cologne, 2022), and the solo Cu mancia fa’ muddichi, developed through the ACASA residency at Scenario Pubblico. He is currently an associate artist at Scenario Pubblico – National Centre for Dance Production, where his research explores movement as an expressive language and collaboration as a creative practice.

Rosine was born in 1997. She graduated from HF ZuB, Zurich, in August 2022. During this time, she worked with various choreographers such as Luca Signoretti, Rena Brandenberger, and Milena Büchi. At the end of 2022, she became a member of the MIR company in Basel, directed by Béatrice Goetz, as well as the ONE Dance Company in Winterthur, with whom she presented the premiere of INSECTUM in Athens—a piece she co-choreographed and performed with Nina Pfüller.

In 2023, Rosine danced for the company cie7273 (Geneva, CH) and for Jana Duenner’s piece Skin Care. In the same year, she also worked for Cantus Firmus of Soleure in Solothurn (Switzerland), the film company Rosas & Co (Zurich, CH), and the artistic community Cie Capsule (Biel/Bienne, Switzerland), where she co-directed her next project with Marc Ugolini for a co-production with fOrum culture (Tavannes, Switzerland).

Rosine joined PITT for the research project “Greta Oto” and duet “Never in a Million Years” in 2024.

Between acoustic breath and electronic matter, Minouche Nihn Briot sculpts sound in motion — shaped by gestures, silences, and textures.

Trained in Baroque recorder, she expands her universe with voice, bass, clarinet, flute, and sound design work.

She collaborates with artists such as Sébastien Kheroufi, Gingolph Gâteau, Benoît Giros, Juliet O’Brien, Anne Barbot, and Guesch Patti in the fields of theatre, dance, and circus.

Alongside these collaborations, she develops her personal project Nihn, where the intimacy of a whisper meets raw pulses and striking vibrations.

Minouche is a long-term collaborator with Phoebe Jewitt

Sahadatou Ami Touré is a Beninese dancer, choreographer, and dance educator based in Switzerland. Trained in Benin and across West Africa, including at École des Sables (Senegal) and Centre de Développement Chorégraphique La Termitière (Burkina Faso), her work bridges African and contemporary dance traditions.

As a performer, Sahadatou has collaborated with internationally recognised artists and projects, including The Rite of Spring by Pina Bausch as part of the Dancing Pina project, touring internationally. Alongside performing, she develops her own choreographic practice through Cie AMI TOURÉ, creating works that explore identity, memory, and the lived experiences of women.

Alongside her artistic practice, Sahadatou is deeply committed to education and community engagement. She teaches dance in schools and universities, mentors young artists, and develops projects that use movement as a tool for dialogue, empowerment, and social transformation.

Inbar Elkayam (b. 1991, Israel) is a choreographer, performer, and dance educator based in Switzerland. Her work explores the relationship between individuality and collective structures, using movement to investigate communication, connection, and the dynamics of human interaction.

She trained at the Nadin Boomer Dancetheater Academy and the Batsheva Dance Company’s Excellence Program. As a performer, she has collaborated with companies including Kibbutz Contemporary Dance Company (Israel) and LeineRoebana (The Netherlands), and has worked with choreographers such as Doron Raz, Gilad Yerushalmy, Merav Dagan, and Teresa Rotemberg.

Giusy Fanaro is an Italian contemporary dancer, choreographer, and teacher based in Switzerland. She trained at Scuola del Balletto di Roma and AED Livorno before graduating with a BA in Contemporary Dance from the Zurich University of the Arts (ZHdK) in 2022.

As a performer, she has worked with internationally recognised choreographers including Nadav Zelner, Luca Signoretti, Winston Arnon, Caroline Finn, Ihsan Rustem, Alba Castillo, Bryan Arias, Sergei Vanaev, Marcel Leemann, Marco Cantalupo, and Tabea Martin. She has performed with Stadttheater Bremerhaven, Leemann Physical Dance Theater, Zurich Opera House, and has been a member of Snorkel Rabbit Company since 2023.

Alongside her performance career, Giusy develops her own choreographic practice. Her debut solo Soon Enough premiered in 2024 at the IHRE MAJESTÄT Festival before being selected for Tankstelle Bühne 2025, earning her a residency at Südpol Luzern. The work was also selected for the Solo Dance Contest at the Gdańsk Dance Festival in Poland. Alongside her artistic practice, Giusy works internationally as a freelance dancer, choreographer, and teacher.